All people DJs VJs Producers Clubbers Singers Poets Promoters
2 Step 4-bit Techno 8-bit Abstract Hip-Hop Acid Acid Breaks Acid House Acid Jazz Acid Techno Acid Trance Acoustic Afro House Aggrotech Album Alternative Rap Alternative Rock Ambient Ambient Breaks Ambient Dub Ambient Goa Ambient House Art Rock Artcore Atmospheric Atmospheric Breaks Baile Funk Balearic Beat Bass House Bass: Club Bassline Bassline Breaks Beatboxing Berlin School Big Beat Big Room House Bitpop Blues Bmore Booty breaks Bouncy Hard House Bouncy Techno Breakcore Breaks Breakstep British Rap Britpop Brokenbeat Brostep Bumping Chemical Beats Chicago House Chillout Chillstep Chillwave Chiptune Classical Crossover Club House Comedy Rap Complextro Construction kit Crunk Cut & Paste Dance Pop Dancecore Dancehall Dark Ambient Dark Progressive Dark Psy Trance Darkstep Deep House Deep Techno Detroit Techno Digital Hardcore Dirty Rap Disco Disco Funk Disco House Disco Soul Diss Downbeats Downtempo Drill'n'bass Drum & Bass Drum & Bass Drum kit Drumfunk Drums Drums: Kick Dub Dub Techno Dubby Dubstep Dubwise Dutch House East Coast Rap Easy Listening Electro Electro Electro House Electro Industrial Electro Progressive Electro Swing Electro Techno Electro-punk Electroclash Electronic Body Music Electropop Electrostep Euro Techno Euro Trance Eurodance Executive (plugins, patches, ensembles) Experimental Extra Female vocals Fidget House Florida Breaks Footwork Foreign Rap Freestyle Freestyle Breaks Freestyle House Freetekno French Electro French House Frenchcore Full-On Funk Funky Breaks Funky House Funky Techno Future Bass Future Garage Future House Future Jazz Futurepop Fx Fx G-Funk G-House Gabba Gangsta Rap Garage Ghetto House Ghettotech Glam Rock Glitch Glitch Hop Go-Go Goa Trance Gospel Trance Gothic Rock Grime Grunge Guitar: Acoustic Guitar: Electro Guitars Happy Hardcore Happy Hardcore Hard House Hard IDM Hard Rock Hard Techno Hard Trance Hardbass Hardcore Hardcore Continuum Hardcore rap Hardstep Hardstyle Heavy metal Hi-NRG Hip House Hip-hop/Rap Horrorcore House IDM Illbient Indie Indie Dance Indie rock Indietronica Industrial Industrial Techno Instrumental Intelligent Italo Disco Italo House Jazz Jazz-Rap Jazzstep Jump Up JumpStyle Jungle Keys: Piano Kick Krautrock Latin House Latin Pop Leads (synths, keys) Left-field House Leftfield Leftfield Bass Liquid funk Live Looping Lo-Fi Loop Lounge Lowercase Mainstream Male vocals Melbourne Bounce Melodic Techno Melodic Trance Miami Bass Microhouse Minimal Electronica Minimal House Minimal Techno Minimal psytrance Misc Perc Misc samples Moombahcore Moombahsoul Moombahton Multitrack master Music Concrete Neo-Soul Neotrance Neuro Jump Up Neurofunk Neurotech New Age New Beat New Rave Noise Nortec Nu Breaks Nu Disco Nu Jazz Nu Style Gabber Nu metal Old School Rap Oldschool Drum & Bass One Shot Organic House Pads Philly Disco Phrase Poky Pop Pop Rap Pop Rock Post Dubstep Post-punk Post-rock Power Noise Program files Progressive Breaks Progressive House Progressive Trance Progressive rock Project Psy Chill Psy Trance Psy-Progressive Trance Psybient Psychedelic breakbeat Psychedelic rock Pumping House Punk rock R&B Ragga Jungle Raggacore Rave Reggae Reggaeton Remix pack Rock Rock'n'roll Rockabilly Russian Pop Sambass Sampled stuff Schranz Scouse House Scratch kit Shoegazing Ska Slap House Slow Motion House (Disco) Smooth Jazz Snare Song Soul Soulful Drum & Bass Soulful House Southern Rap Space Disco Spacesynth Speed Garage Speedcore Stoner rock Surf Synth-Pop Synthesized vocals Synthwave Tech House Tech Trance Techno Techno Drum & Bass Technoid Techstep Teen Pop Terrorcore Trance Trancestep Trap Tribal House Tribal Techno Trip-Hop Tropical House Turntablism Twerk UK Funky UK Garage UK Techno Uplifting Trance Uptempo Vocal House Vocal Trance Vocals Voice Fx West Coast Rap Witch House Wonky Yorkshire Bleeps and Bass Аналитика Интервью Новости Обзор Разговорный
|
Sven SvenSon
If somebody asks Sven SvenSon what his elixir of life is, then you always get the same answer: music.
DeeJay cLaN * GermanY
Electro House
Ди-Джей "cLaN" (Максим Шерель) родился в 1987 году в городе Санкт-Петербург. В данный момент находится на постоянном месте жительства в Германии. Любовь к музыке у Максима зародилась ещё в 1997 году, во время летних каникул, которые он всегда проводил у бабушки в Белорусии. Именно там, посещая традиционные праздники "Ивана-Купала" , он, стоя в сторонке с очарованными глазами и огромным интересом наблюдал за тем, как...
Groovebegg (www.egroove.fm)
Techno
Has started in July by Paul Begge . Actual styles is only minimalistics and techno sounds, no Electro, Pop, only exclusive techno & minimal stuff from talented acts od the world.
Begin your Sunday with the " Groovebegg " programm and taste an exclusive material from different talented actors from every corner of the globe. The program concept is directed on technical and...
DJ MaX
Club House
Cлушатель и начинающий DJ. Начинал с Virtual DJ. Сейчас пользуюсь софтом от M-Audio Torq ,имею контроллер Xponent. Пробую свои силы в Ableton Live.
DJ Canaille
House
Ну что... Никогда не мечтал стать DJ-ем, но по стечению обстоятельств стал, в далёком 2003 году. Первыми игрушками оказались CMX 5000 и DJM 500. (сейчас они у меня дома, ностальгия)). До сих пор отработал резидентом в 3-х клубах, проводил частные вечеринки и работал на свадьбах. Конечно у меня есть любимые стили, но стараюсь работать по всем направлениям, ну, чтоб не скучать))
Музыкант, DJ
Стили: Techno, Hard Techno, Tribal, Progressive, Drum & Bass, Jazz, Funk
Год начала карьеры: 2003
Monovoice
Techno
1996-óta szerlemese a zenének. Eleinte,kezdetleges dj felszereléssel, kissebb házibulikon, sulidiscokban szerepel.Késöbbiekben, fejleszti, technikáját, bakelitlemezeket kezd gyűjteni,és Trance stilusban, saját szervezésű partykon lep fel. 1999-től Andrewboy-al, Deep Juniorral, es Miss Siva-val Aftarpartykat vezényel. 2001-ben levizsgázik az OSZK-nál, hivatalos működési engedélyt szerez.2003 nyarátol residens dj a Pécs Pláza Hangár Cafeba, és ezzel egyidejűleg fellép a már sajnos nem letező Boccaccio, és B52 Clubban, Dj Stan és...
