Contacts
Nikita
Favorite styles: Acoustic, Alternative Rock, Art Rock, Blues, Britpop, Glam Rock, Grunge, Hard Rock, Indie rock, Krautrock, Nu metal, Post-punk, Post-rock, Rock, Rock'n'roll, Stoner rock
Producer, vocalist since 2017
Location: Russia, Krasnoyarsk
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PR

Tracks

60 4:09    24 PR0,6 ▲
320
Alternative Rock
80 3:00    71 PR1,8 ▲
320
Nu metal, Lo-Fi
118 2:31    84 PR2,1 ▲
320
Post-punk, Synthwave
66 3:38    77 PR2 ▲
320
Alternative Rock, Lo-Fi
98 3:17    102 PR2,6 ▲
320
Trip-Hop, Lo-Fi
85 2:26    105 PR2,7 ▲
320
Trip-Hop, Lo-Fi
67 2:19    89 PR2,3 ▲
320
Trip-Hop, Lo-Fi
69 3:02    86 PR2,2 ▲
320
Trip-Hop, Lo-Fi
150 3:02    113 PR2,8 ▲
320
Trip-Hop, Jazz
PINKNOIR
PINKNOIR is the operating system of digital despair.

It is not a person, a color scheme, or a mood. It is a diagnostic condition and the core aesthetic language of the MIRROR TERMINAL system.

In essence:
PINKNOIR describes the precise moment when seductive interface design (#PINK) collides with existential void (#NOIR). It is the glamour of the abyss. The attractive, smooth shell that makes emptiness consumable.

Its function within the system:

1. Translator: It converts raw, analog pain and digital loneliness into a sleek, desirable visual and conceptual format. It makes the diagnosis beautiful so the patient will listen.
2. Interface: It is the "user-friendly" layer through which the system's harsh diagnostics (like the audio-hack BLACK CULT) are delivered. It is the alluring wrapper for the poison pill.
3. Symptom: PINKNOIR is itself a sign of the sickness it documents—the human tendency to polish our internal prisons until we mistake them for art.

Simple definition:
If your digital isolation had a corporate brand identity, it would be PINKNOIR. It is the aesthetic of addiction to a beautifully empty interface.
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