Imagine the best synthesizer you can and then multiply that by three. Why? Because the D'cota VST synthesizer combines the power of three types of sound synthesis in the compact editing environment of one synthesizer. All this in an unprecedented sound quality for all three synthesis types, thanks to the aliasing-free sound engine. Each of the three synthesis types offered by D'cota has access to an arsenal of four freely assignable ADSR envelopes and two assignable LFOs. The LFOs can also be synchronized to the song tempo. The effect section adds the simultaneous power of delays, distortion units and modulation effects.
Features:
* 3 different synthesis: Advanced Analog, Spectrum and Wave Impulse * Superb sound quality (aliasing free oscillators) * Advanced Random Mode * 8 times multi timbral with up to 128 voices, 4 stereo outputs * Multi FX unit with Distortion, Modulation and Delay section * Ready to start sound preset included
Thr33some is a multi-band stereo tool, to allow you to widen or narrow specific frequencies in your mix. Typical use would be to make bass sounds mono whilst progressively spreading higher frequencies, but abuse and experimentation will yield some interesting effects too. Thr33some has 2 methods of stereo spread and with gain and pan per band you have total control over all 3 bands. You can also make each band full spectrum to get 3 full layers and control in and out gain with metering to keep levels under control. There is also a multi-out version for individual processing of each band in your DAW.
Features:
· 3 band stereo widener/narrower · Split bands into 3 frequency ranges, or choose 3 full spectrum layers · Zero phasing band splits using inversion rather than crossover · Mid/Side processing per band · Delay based width control per band · Stereo balance and gain per band · Stereo out and multi-out (3x stereo) versions · In and out gain controls · Metering for in and out levels to allow balancing · All control parameters named and mapped to midi CC · Presets covering all functions and many configurations
The Shark is a 4-oscillator sample-based synth. The Shark comes loaded with 64 presets from Junebug. These presets are based on an *all-new, *all-exclusive"* one-shot sample set of 50 sounds. To give you a good idea of the type of sounds you'll find inside THE SHARK, here's the list of the FIFTY raw .wav samples: 303-like, bass wobble, blast sweeper, chemical lead 01, chemical lead 02, chemical lead 03, chemical lead 04, chemical lead 05, funky lead, ghost hit, hoover, long bass 01, long bass 02, man vs. machine - stab, organ 01, organ 02, organ 03, pad 01, pad 02, pad 03, plucked 01, plucked 02, plucked 03, plucked 04, raver 01, raver 02, raver 03, raver 04, raver 05, raver 06, raver 07, raver 08, raver 09, raver 10, real strat 01, real strat 02, real strat 03, rhodes 01, short bass 01, short bass 02, short bass 03, short bass 04, short bass 05, short bass 06, short bass 07, strings 01, string stab, strong synth, tek bass, temple.
Features:
* 4-OSC Virtual Synth. * 50 "exclusive" one-shot samples and 64 presets. * Osc 1 has a unison mode with PWM, cents and fine tuning. * Osc 2 & 3 feature PWM, cents and Fine Tuning (sine, saw, ramp, triangle, pulse, white noise, pink noise). * Osc 4 is a .wav format one-shot sample loader. * LP Filter. * LFO to PWM. * LFO to Filter.
* LFO to Pitch. * LFOs Sync to BPM (1/16, 1/12, 1/8, 1/4, 1/2, 1/1, 2/1, 1bar, 2bar, 4bar) (sine, triangle, saw, ramp, square, noise, sample/hold). * "Boost-Style" EQ (Hi, Mid, Low). * 2 ADSR Envelopes - Amplitude & Filter. * Mono Mode with Re-Trigger option. * Velocity Sensitivity with Gain control. * Portamento. * Pitch-Bend Wheel with Range Control.
Max users are people who want to do things that go beyond the limitations of normal software. Max is a visual programming language. MSP gives you the building blocks of a synthesis and DSP language in visual form. But more importantly, MSP permits synthesis and DSP to be controlled in expressive and powerful ways. The fact is, there are only so many ways to make sound, but there an unlimited variety of ways to control sound, due the way MSP's audio objects work together with Max's timing, control, and user interface tools.
For FabFilter One, we have put tremendous effort in creating the best cut-off filter ever. Our new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.
The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.
The oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down. Modulation wave balance
What FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn't just slide from one note to another, but uses a carefully selected algorithm to make your playing more lively and give it just that little extra bit of magic.
Smart Parameter Interpolation handles changes to any of FabFilter One's parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.
Naturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.
FabFilter Pro-C is a high quality compressor plug-in with various beautiful program dependent compression styles. Professionals will be delighted with the high quality sound, while the innovative interface makes compression easy to grasp for everyone. Apart from its beautiful sound and character, you also get very flexible routing. In Expert mode, external side chain input is available and you can choose between mono, stereo, or mid/side processing with completely customizable channel linking and routing. In addition to regular input, output and gain change meters, Pro-C offers a knee display and an animated compression display, which gives you a great insight in when, why, and how compression is applied to the audio signal. Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!.
Kong Audio Chineekong VSTi 2.9 (синтезатор китайский народных инструментов)
Виртуальные инструменты серии Chinee являются плагинами формата VSTi с семплами китайский народных инструментов. Кроме отдельных нот есть также различные исполнительские приемы (тремоло, слайды, трели и др.). Семплы имеют разрядность 24 бита и частоту дискретизации 96 кГц. ChineeKong V2+ is a sample-based Chinese percussion VSTi that comes with over 850 mb of professionally recorded sample content and brings you the most authentic percussion sound originated from various parts of China. A sound that most of the Western world haven't heard of before, until now. ChineeKong V2+ has six main categories: Luo(Gongs), NaoBo(Cymbals), GuZu(Drum sets), BanBang(Wood Percussion), ZhongLing(Bells), and QiTa(MISC), divided into a total number of 50 subsets. These instruments are being used widely in today's Chinese pop music and film scores.
Unusual Source for Unusual Ideas. Modern musicians have always been searching for the next NEW sound to spice up the next big hit. Tired of the samey. usual beat everyone is making? Kong Audio's ChineeKong V2+ IS the answer to the quest.
With the rare and exotic acoustic percussion samples, ChineeKong V2+ can add an atmospheric touch to film score compositions, yet still fits well in the pop music when necessary. ChineeKong V2+ also provides inspiring, refreshing materials for modern offbeat experimental musicians. It's a percussion fest. It's a wild dream come true.
Especially suitable for live performance, FabFilter Simplon is a simplified version of FabFilter Volcano with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode. Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or ‘digital’, even at full resonance. Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!.
In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.
Tweak the filters with Simplon's large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.
And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.
Meldaproduction Mdrummer 2 Large Standalone VSTi 2.16
MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be … can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
Image-Line has released VSTi versions of sample slicing tool Slicex. Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.
Features:
* Loading & slicing samples – Slicex can load and slice two independent samples/loops into decks A and B (accessed from the Wave Editor). * Editing samples – Slicex includes a Wave Editor with all the power of Edison, so you can edit, mangle, process and tweak slices to perfection. * Express yourself – Programmed variations are the key to expressive control and Slicex has infinite variation as a design principle. Any number of regions, within and between decks, can be layered/crossfaded using the settings on the Master Panel. Region slices may be assigned to any or all keys. All the while, these samples and layers are under the control of the articulator section that includes filters, envelopes, LFOs and more. * Think outside the loop – Yes, Slicex is the perfect loop/beat slicer and percussion powerhouse. Slicex will process any source audio with ease – why not try it on melodic parts, vocals, guitar tracks or whole songs! The creative and sonic possibilities are endless.
MeldaProduction MTotalBundle is the ultimate bundle of effects, that will convert your computer into a top-class professional sound studio. It contains all of our effects covering all required tasks, composing, mixing and mastering. Free for life updates pay here too, so once you you purchase it, any effect we release will be free for you! And it takes just a few clicks using our update system... The bundle contains traditional plug-ins as well as our revolutionary technologies, which give you the power to make your recordings sound incredible even if you didn't spend last 50 years as an audio engineer. High speed, simplicity, crystal clear sound and minimal noise level is standard in MeldaProduction.
Changes From v2.01 : * MMultiBandDelay - Added global dry controller, added tap gain feature, feedback extended to 0dB...
GUITAR RIG 4 PRO is the ultimate all-in-one guitar and bass solution for perfect custom tone. The powerful and intuitive software comprises of a vast array of amps, cabinets, mics and effects, recreated in stunning detail. The latest version includes 3 new amps, 4 new super-flexible effects and above all, the revolutionary Control Room for that “big bucks” studio tone. The GUITAR RIG 4 PRO software offers 15 amazing guitar and bass amplifiers, modeled with the exacting precision of NATIVE INSTRUMENTS’ award-winning Dynamic Tube Response Technology®. Including the original multi-channel designs and model-specific tweaking options, these amps not only accurately convey the character, charm and feel of their real-world counterparts, but also offer a huge arsenal of tried-and-true tones for all genres. The included Matched Cabinets module offers a harmonized speaker setup for every single amp. It's easy to use yet super-flexible, providing you with classic sounds in seconds.
This all-new module opens a vast new world of tone with an unparalleled degree of natural sound reproduction and tonal clarity. With just a few fader moves you can create the sound of professional studio recordings that will definitely cut through the mix.
GUITAR RIG 4 PRO features numerous tools to help you achieve your best performance. Tape decks for super-easy recording and playback, a metronome and an integrated tuner all help keep the focus on your creativity. A loop machine allows guitar and bass loops to be created and layered on the fly. With GUITAR RIG 4 PRO, your own personal guitar assistant is on hand every time you plug in.
GUITAR RIG 4 PRO works perfectly as a stand-alone program and within any sequencer. This allows you to "reamp" your sound in a convenient way – record your performance, then tweak and change the tone afterwards in any way you like, as often as you want.
Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us. A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Until you listen to it. Then it becomes real.
Features...
General: * Synthesis method: Subtractive hybrid. * Each patch contain two 'scenes' which are separate instances of the entire synthesis engine (except effects) that can be used for layering or split patches. * Category based patch-browser.
Oscillators: * 3 oscillators/voice. * 5 versatile oscillator algorithms: Classic, Sinus, Wavetable, S/H Noise and Audio-input. * The classic oscillator is a morphable pulse/saw/dual-saw oscillator with a sub-oscillator and self-sync. * Most algorithms (all except sinus and audio-input) offer up to 16-voice unison at the oscillator level. * Oscillator FM/ring modulation. * All oscillator algorithms are band-limited yet they still cover the entire audible spectrum. * Noise generator with variable spectrum.
Filter block:
* Two filter-units (7 different configurations). * Feedback loop. * Available filter-algorithms: LP12, LP24, LP24L (ladder filter with 1-4 poles), HP12, HP24, BP, Notch, Comb+, Comb-. * Waveshaper (5 shapes). Modulation: * 12 LFO-units available to each voice (6 are running on each voice and 6 are shared for the scene). * DAHDSR envelope generators on every LFO-unit. * 7 deformable LFO-waveforms + 1 drawable/step-sequencer waveform. * Fast and flexible modulation routing. Almost every continuous parameter can be modulated.
Effects: * 8 effect units arranged as 2 inserts/scene, 2 sends and 2 master effects. * 9 algorithms: Delay, Reverb, Chorus, Phaser, EQ, Distortion, Conditioner (EQ, stereo-image control & limiter), Rotary speaker, Frequency shifter.
System Requirements (Mac): * Requires Mac OS X v.10.3.9 or later. * Any Intel Mac or a PowerPC Mac with a 1GHz G4/G5 or faster CPU * 256 MB RAM * An AU or VST2.4-compatible Host application
Version 1.5.3 notes: - OSX AU: fixed bug that prevented surge from passing the AUVAL tool in snow leopard. As a result, it wouldn't load in Logic. - OSX VST: fixed crash caused by snow leopard no longer allowed setting the SSE control register directly.
Prophet V is a hybrid of two synthesizers that changed the face of music during the '70s and '80s - the warmth of the Prophet 5, one of the first programmable polyphonic analog synths, meets the digital textures of the Prophet VS in this new plug-in. The Prophet V allows you to mix digital sounds with analog. Play the Prophet 5 and the Prophet VS either simultaneously or separate. Deepen and round the sounds designing a sound palette unique to your style of creation, or stick with the sounds you have come to know and love.
Features:
* Compatibility with the Presets of the original synthesizers. * No aliasing from 0.1Hz to 16kHz. * Calculated precision: 64 bits. * Sample Frequency: until 96 kHz. * More than 400 presets. * 2 analog oscillators for the Prophet 5. * 4 wavetables oscillators for the Prophet VS. * Capacity to synchronize Osc2 on Osc1 for the Prophet VS. * 1 Mixer with joystick and automation envelope for mixing the 4 oscillators of the Prophet VS. * 1 resonating low pass filter for the Prophet 5. * 1 multi-mode resonant filter for the Prophet 5. * 3 LFOs that can be synchronized with the tempo of the host sequencer. * 5 envelopes: 2 ADSR; 3 5 point envelopes. * 1 Modulation matrix. * 1 Audio Matrix. * 1 Chorus. * 1 Stereo Delay with MIDI synchronization. * Polyphony of 2 to 32 voices with the unison possibility. * Audio quality and purity as in the original Prophet 5 and VS.
M-Audio Drum and Bass Rig Key Rig v1.0.0 VSTi And Standalone ISO
M-Audio's Drum & Bass Rig delivers a wide variety of bass and drum sounds in a single virtual rack. Drum & Bass Rig incorporates four great sounding modules that can be used in stand-alone or plug-in mode. The RD-5 Real Drums module serves up tons of sampled drum kits and percussion. The EB-6 Electric Bass delivers authentic bass fingering, picking, slapping and more. The LC-7 Loop Creator allows easy and flexible creation and playback of sampled loops. And the BL-8 Bassline is ideal for creating electronic music bass lines. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.
Beat It
The RD-5 Real Drums module features a comprehensive library of drum kits and individual drums in all styles, with control over tuning, tone, decay, panorama and level. Each kit also has adjustable overheads, room ambience and effects. All kits are GM-compatible and contain an additional standard percussion set.
Put Your Finger On Great Bass
The EB-6 Electric Bass module produces the sounds of authentically played electric bass guitars. This extensive collection includes a large selection of finger, pick, slap and fretless sounds featuring slides, dead notes and harmonics. The EB-6 also includes a built-in bass amp emulation with drive and tone controls, as well as an effects section for creative options. This electric bass collection is even topped off by a virtual analog synth bass model.
Get Loopy
The LC-7 Loop Creator is one of the most efficient and creative tools available for working with loops. Its pool of 250 source loops can be freely combined and flexibly manipulated by options such as slice-reordering, slice muting or group muting of ranges of slices. The LC-7 Loop Creator is designed for people who want their own loops but find it hard to create them from scratch. It also offers a vast range of real-time controls for dynamic playing/arranging.
Keep 'Em Steppin'
The BL-8 Bassline module is a monophonic bass synthesizer combined with a powerful arpeggiator/step sequencer. Synth controls are straightforward and immediately accessible. An onscreen keyboard provides a familiar step-entry interface pioneered on vintage gear in this genre.
Key Rig from M-Audio covers all the basic needs for today's keyboardist in a single virtual rack. Key Rig delivers four great sounding modules that can be used in stand-alone or plug-in mode. The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. The MB-3 Electromagnetic Organ emulates the classic Hammond sound complete with rotary speaker. And the GM-4 General MIDI Module is great for sequencing the rest of your backing tracks. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.
It's All There In Black and White
The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. Each preset can hold a combination of two instruments with individual settings for Mix, Octave, Detune, Velocity and Tone. Owing to a dual effects section, each preset also has its own effect settings including delay, chorus, phaser and more.
Brave New Synth
The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. Each preset consists of sub-presets for each major section: filter, amp, mod and FX. Creating new sounds is as simple as combining these sub-presets in different ways and tweaking any associated parameters from there as desired.
Get Organized
The MB-3 Electromagnetic Organ authentically emulates the classic Hammond sound complete with rotary speaker. Standard features include nine drawbars that are pre-mapped to M-Audio brand USB MIDI controllers, percussion and variable key click, three chorus and three vibrato settings. Rotary speaker emulation includes tube overdrive, speed and tone controls to yield everything from glassy jazz chords to smoking rock leads.
Bring In The Band
The GM-4 General MIDI Module delivers 128 GM instruments plus a great GM drum kit. It instantly plays GM-compatible standard MIDI files from host applications and provides an extremely easy way of sequencing additional backing tracks.
Multiple Effects
These virtual instrument modules each feature their own dual effects processors for delay, chorus, phaser and more. There’s also a master effects section that further processes the combined output of all modules.
Flexible Mixing and Assignment
You get an internal mixer and assignment controls that allow you configure independent MIDI channels for each module. But that’s not all… you can easily create splits and layers for things like left-hand bass with right-hand drums and other performance configurations.
Use It Your Way
M-Audio's virtual racks let you use them as stand-alone instruments or with most host sequencers. Lots of people, for example, are just taking their keyboard and laptop to live performances. Compatibility with VST and RTAS also means that you can use it as sound sources for your tracks in Pro Tools, Logic, Cubase, Ableton Live, and, well, pretty much any popular music software.
The ACCENTUS is a virtual analog synthesizer with 2 oscillators and a suboszillator. Its interesting waveforms and its flexible filter section, is getting a lot of punch and assertive sounds. The operation the synth is playful slightly by its clearly structured user interface. All major synthesizer parameters are located on the first Edit Page. Of course, effects may not be missing, the ACCENTUS has four of them on board. Even a powerful arpeggiator and a gater are built in. All after all an incredibly powerful and flexible synthesizer.
Features:
+ 2 mainoscillators with 11 waveforms each: Sine, Saw, Ramp, SoftRamp, PeakRamp, Square, Triangle, Peak, Octava, Cluster1, Cluster2 + oscillator 2 can be synced to oscillator 1 + Unison for both mainoscillators separatly (up to 7 voices) incl. unison detune and detune stretch + suboscillator with pulse und saw wafeforms + noise generator with white noise and pink noise + Amp ADSR envelope + 2 multimodefilters + 2 filter envelopes with positiv and negativ charakteristic + glide (portamento) + monomode + velocity + arpeggiator + audio gater + 2 MIDI syncable LFOs + 2 modulations + chorus FX + reverb FX + MIDI syncable delay FX + overdrive FX + more than 300 presets
Sonic at work VRS-4040 VSTi PI Edition (Plugindex Premium Edition). The VRS-4040-PI is a virtual "Rompler" PCM with 4 slots (PCM oscillators) equipped with 17 waveforms. By mixing (layers) of these waveforms, and the setting of the volume combined together with the VRS 4040PI the simplest way Sound Design operated. However, if you prefer to produce sounds mhte work has included the 28 presets to kgreifen. To further shaping sound, there are more synthesis tools such as a separate ADSR curve per PCM slot, a global 24dB multimode filter,a MIDI Synced LFO, Glide (portamento), Single mode, Velocity,a MIDI synced Delay effect and a reverb. The VRS is a versatile 4040PI to use sound module.
STS-24 PI Edition Key Features:
• 4 PCM slots (PCM OSCs) • Own-amp ADSR H ? lkurve f ? every 4 PCM slots • Kenvolume and Fine-Tune knob f ? every 4 PCM slots • Notenweise octaves and resentment of each PCM slots • Global, zuschaltbares 24dB multimode filter with • low-pass, • high-pass, • band pass, • Band reject • Filter ADSR H ? lkurve • Glide (portamento) • Single mode • Velocity (defeatable) • MIDI synced LFO • MIDI synced Delay Effect • Reverb effect
The CS-80V is the reproduction of the legendary Yamaha® CS-80, which was considered by many as the "ultimate polyphonic synthesizer", back in the late 70’s. It has been popularized by artists and groups like Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel… to name a few, and they all helped to turn this synthesizer into a real myth. More than twenty five years after its release, the time has come to rediscover a sound that has extensively contributed to the history of music.
2.0 FEATURES:
* Switch to Syncrosoft copy protection ( V 2.0 ) * VCF audio quality improvements ( V 2.0 ) * Ring modulator audio quality improvements ( V 2.0 ) * A revolutionary preset navigation system called the SoundMap ( V 2.0 ) * Lower CPU utilization on Mac OSX( V 2.0 ) * Better Audio Unit compatibility (Digital Performer most notably) ( V 2.0 ) * Ability to use NRPN midi messages for automation ( V 2.0 ) * Better handling of control surfaces while changing preset ( V 2.0 ) * New presets added ( V 2.0 ) * Midi RPN "pitch bend range" message is now recognized( V 2.0 ) * Bug fixes
MAIN FEATURES:
* All the original parameters of the Yamaha CS-80: 2 oscillators, 4 filters (high pass, low pass), 2 LFOs, 4 envelopes, 2 VCAs, 1 sub-oscillator (LFO), 1 ring modulator, chorus and tremolo * New effect: Delay * New Multi Mode: assign a different sound to each of the 8 voices of polyphony! * New Modulation Matrix with 12 sources to modulate a choice of 38 destination parameters * More than 400 presets made by a selection of the most famous sound designers * Polyphonic aftertouch * 1 Arpeggiator * Expression and sustain pedals * Ribbon controller * No aliasing from 0.1 Hz to 16 kHz * 64-bit floating point precision * Sampling rate: up to 96 kHz
Benefit from the experience of the best sound designers. The CS-80V comes loaded with more than 400 presets made by a selection of talented sound designers.
* We included additional presets in this release * Factory Preset works fine at our test
Meldaproduction MDrummer 2 Large Standalone VSTi 2.17
MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be … can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
Changes From v2.16
* Stylable and resizable GUI engine. * Switched to keyfile licensing. * Kernel optimizations. * Fix: Rhythm system wasn't working properly, when commands were slightly out of first quarter. * Fix: Rewind didn't cause MDrummer to stop.
B. Ginger is our first full dynamic Drumsampler. Fitted it with 13 different drum, from hip hop to soul. Drumset 6 is multi-sampled. This means in practice that a harder beaten snare not only louder, but sounds really harder. This can be especially for emotional music with excellent results. For jazz and blues musicians is almost indispensable. Phase rotation (listener / player), Chorus, and 3-band EQ in the master area are available.
ATTACK is a true percussion synthesizer for the VST PC platform. It seamlessly integrates the sound of the 80's analog classics and the ambitious electronic club drums of the 90's into the VST system of the 21st century. ATTACK generates all its sounds in real time, giving you the freedom to alter all parameters directly.
ATTACK has 24 sounds available per percussion set, spread over two octaves. The sound architecture is extremely flexible, as one would expect from a Waldorf synthesizer. Two oscillators, each with nine waveforms, represent the sources. In addition to well-known analog waveforms, ATTACK offers three samples to help create hi-hats or crash cymbals. Ring modulation and frequency modulation expand the sound spectrum with a metallic component and FX sounds. The integrated "Crack" module takes care of reproducing analog handclaps authentically. ATTACK contains a filter section with 6 filter types, resonance up to self-oscillation, and an overdrive of up to +52dB. The two envelopes are used to alter oscillator pitches, FM amount, filter cutoff, and the output volume. Two modulation delays and eight outputs (2 stereo, 4 mono) connect ATTACK to the VST world. Seamless integration into the VST 2.0 interface means that all parameters may be addressed via MIDI controllers, allowing you to create powerful dynamic changes.
And as though this were not enough - twelve sounds in each drum set can be played melodically. With this feature you can create tom fills and conga or other percussive grooves in no time, and you can even play bass, melody or sequencer lines.
Features:
- Virtual analog sound synthesis - 31 sounds kits with over 700 sounds included - 16 percussion sets per FX Bank - 24 percussion sounds per set - Per sound (editable): - 2 oscillators, each with 9 waveforms (triangle, sine, square, sawtooth, sample&hold, noise, samples: closed hi-hat, open hi-hat,crash) - FM - Ring Modulation'Crack'-module for authentic analog hand claps - 6 filter types with resonance up to self-oscillation and overdrive - 2 envelopes for pitch, FM amount, filter cutoff and loudness - all parameters addressable via MIDI controllers - 8 audio outputs (2 stereo, 4 mono) - Two integrated and synchronizable modulation Delays for the stereo outs - Polyphonically playable percussive bass and lead sounds PPG Wave 2.V Classic Wavetable Synthesizer for VST
The Wave 2 series was the first digital wavetable synthesizer with analog filters, heralding a revolution in both sound and concept. The Wave's most interesting feature was its ability to sweep through 64 waveforms in what PPG called a wavetable.
Almost 2000 waveforms were available within the Wave's 32 internal wavetables. The result of this wavetable technology is that the PPG instrument has a much broader palette and more animated sound than typical analog synthesizers of the early 80's, which tended to have only a few static waveforms such as sawtooth, pulse, or triangle. The PPG sound was very unique and identifiable.
Now we bring this exclusive sound back to life with all the advantages a completely integrated software production environment such as Cubase VST has to offer: The outputs appear directly in the VST mixer, so effects and EQ can be applied like any other audio channel. MIDI tracks are routed directly to the input of the PPG Wave 2.V without involving the vagaries of MIDI cables and interfaces.
The polyphony now depends solely on the CPU power of your computer and opening up to 8 PPG Wave 2.Vs, each with 8 times multitimbral capability, gives you more than enough space for your sound imagination. A new graphical page offers easy editing of envelopes, generators and Cutoff/Emphasis.
The combination of modern software technology plus the charm and massive sound potential of the "old" digital days results in a unique instrument which brings back individuality and pure fun: The PPG Wave 2.V.
Features:
- 8 times multitimbral - 32 wavetables with 64 different waveforms each - 2 oscillators per voice - low-pass filter with Emphasis - 1 LFO - 3 envelopes (2 ADSR, 1 AD) - Velocity and Aftertouch sensitivity - Graphical interface for envelope generators and Cutoff/Emphasis - Number of voices depending solely on CPU power - Real-time MIDI control and automation of all parameters - Up to 8 units can work at the same time (depending on CPU power) - Complete unit and all settings can be saved with the song (Cubase VST) - Sound rendering (Cubase VST)
D-Pole Filter Plug-In for VST
With the Microwave II, Waldorf entered the fully digital sound domain for the first time, and made the impossible possible: A digital filter with exactly the same behavior as its analog counterpart, but even more flexible.
The D-POLE is a musically versatile Filter Plug-In which offers the same experimental capabilities as the hardware equivalent. Now nothing prevents you from filtering your voice with no less than 5 filter types. Morph a simple acoustic drum loop into a biting groovy dance rhythm using the LFO (whose speed is also adjustable in BPM). Add Overdrive to your lead guitar. Get the vintage ring-modulated sound for really wild experiments and send it through the stereo delay...
Create completely new audio material for sound FX purposes within seconds due to the real-time facility of VST. All important parameters can be fully automated and settings can be easily saved as single programs or banks. You don't have to stop your work to be creative, because creativity might not wait for you! Features:
- Filter Module - Frequency 0Hz up to over 17000Hz - Resonance up to self-oscillation - 5 Filter types: - Low Pass - Band Pass - High Pass - Notch - Resonator - 12dB / 24dB Slope selectable - Amplifier Module - Overdrive up to 52dB - Volume - Panning - Delay Mix - LFO Module - LFO Speed up to over 7000Hz, syncable to tempo and audio - 3 LFO Shapes: - sinus - triangle - saw - Positive or negative modulation of Filter Cutoff, Panning and Oscillator Pitch - Envelope Follower Module - Adjustable Decay Rate - Positive or negative modulation of Filter Cutoff - Delay Module - Delay Time up to 2000ms, syncable to tempo - Feedback up to 100% - Damping - Oscillator Module - Ring Modulation - Frequency up to over 7000Hz - Shapes: - Sine - Triangle - Saw
Changes for Attack 1.2.4 - Fixed problem with Effect 2 routed incorrectly to Output 1 instead of Output 2.
Changes for PPG Wave 2.V 1.2.4 - The Factory Soundbanks are now included in the new sound bank format. This fixes the problem of loading old Sounds or Banks in Ableton Live.
MF OscBox The MF OscBox is an audio controlled oscillator. With this plugin , you can turn your guitar or any other monophonic instrument into a synthesizer.
OscillaSofts fast, light VST's. A collection of synthesizers designed for quality notes using minimal computer power. Includes SB304 and Organizer VST plugins plus 3 others.
PSP oldTimer is a vintage-style compressor designed for track and program compression and limiting. Our goal in developing this plug-in is to provide a simple compressor that offers an exceptionally musical sound while requiring a minimum of tweaking. This plug-in is not based on any specific hardware, rather it is inspired by vintage circuits and is designed to emulate some favorite characteristics of such compressors. PSP oldTimer is so simple and so easy to use, that it's difficult to make it sound bad even at extreme settings!. This compressor offers soft and smooth compression in most applications, however it may slightly color the sound with its tube emulation on transients when heavily driven internally by high Compression values. Скачать / Download
Renoise is a complete music production environment. Automatic plug-in delay compensation, support for VST and AU plugins, multi-core load balancing, MIDI i/o, audio recording, 4096 PPQ resolution and parameter automation in a rock solid package. Renoise is a mod tracker. The machine-code-like appearance of the main editing screen is its strong point. In the hands of a tracker guru, it will give traditional sequencers a run for their money. Why spend hours cobbling beats together with a mouse when you can do it in seconds with a few keystrokes? Whether you are an audio veteran or just starting out, Renoise is the perfect complement for anyone looking for something new.
We decided Renoise 2.0 would be the best time to incorporate fundamental changes. Some aspects have changed so revolutionary that it completely revitalizes the way you make music in Renoise. Moreover, this massive engine overhaul is essential for behemoth features in later releases, such as Zooming, the Arranger, Audio Tracks and a Piano Roll. Check website for more information.
Sherman is under Copyright of Sherman, VST is under copyright of Steinberg Gmbh. This vst was made with Synthedit, using extra modules by Dave Haupt and KDL. Currently used MIDI controller numbers... LFO: Depth CC# 26 LFO: Speed CC# 53 Freq1 CC# 31 Freq2 CC# 15 Harmonics CC# 33 (Mod Wheel) ParSer CC# 14 BypEff CC# 25 Reso1 CC# 24 Shape1 CC# 26 -B -B+LH 1 CC# 29 Reso2 CC# 41 Shape2 CC# 52 -B -B+LH 2 CC# 27 AM CC# 116 FM CC# 117 CC# 118 to R out CC# 119
Analog Series Q796 Emulation from classic hardware is mounted on a digital frame for enhanced control. Q796 is built starting from an emulation of a classic mastering device.
Includes three modules for stereo mastering and mixing:
- expander and pump-up compressor - compressor with enhanced functions and negative ratio - limiter
Note: Look-ahead function (up to 10ms) has been added to the analog emulation. Delay compensation is reported to host each time the switch is toggled. Verify the update in your host.
Schwa has released a new plug-in: CMX Stereo Microshifter, along with Windows x64 installers for Olga, Tin Man, Schope and Bitter. CMXCMX - Stereo Microshifter thickens and enhances monophonic audio by doubling the signal and applying small amounts of pitch shift and/or time delay to each side. This technique is often applied to vocals or lead lines. With a light hand, CMX can add just enough fullness to give a part extra presence in a mix. With a heavier hand, CMX can create a rich and polished "expensive production" sound. The added presence is especially effective in musical styles that make minimal use of reverb. CMX uses a new, unique pitch identification and shifting algorithm from Schwa that is designed and optimized for small, precise pitch shifts, from one cent to a quarter-tone, with perfect phase coherence and maximum smoothness. You can use CMX on exposed, high-quality vocal tracks with complete confidence. Скачать / Download
A virtual instrument... with a true sound of bagpipe universal Reason? because it permits multiple regulating, because it turns on a PC, and because it will embark other sounds of bagpipe in future versions.
THE FINGER provides more than 40 effects including real-time samplers/transformers (e.g. loop, re-arrange, reverse, scratch, heavy granular effects etc.), as well as filters, gaters, delays, reverbs, distortion, wave shapers, ring modulation and many others. Each effect has two parameters controlled by velocity or mod wheel, and is tempo-synced to a master clock or the tempo of your audio host. The KORE PLAYER user interface allows for even further tweaking via the Macro Controls.
The main advantage of THE FINGER is the ability to trigger effects via MIDI keyboard (or the "piano roll" in a sequencer). Four octaves of MIDI notes have a specific effect per sound with their own settings assigned to each. The order you trigger the notes is the order the effects get layered in, so chains can be arranged and re-arranged in no time. Make the last key a loop effect, and you can continue the chain from there, endlessly.
This allows you to "play" and improvise with effects just like with a "real" instrument. When used within a host sequencer as an effects plug-in, you can record your playing as MIDI in the piano roll editor allowing to edit your effect chains in a much simpler way.
The potential for creative audio mayhem is pretty much inexhaustible, and it has never been more fun - that is the power of THE FINGER.
Besides the possibility to use THE FINGER out of the box (with the free KORE PLAYER or KORE 2), it can also be loaded into REAKTOR 5, where an individual user interface is available allowing you to setup custom effects to any MIDI note.
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Steinberg D'cota 1.0 VSTi iSO
Imagine the best synthesizer you can and then multiply that by three. Why? Because the D'cota VST synthesizer combines the power of three types of sound synthesis in the compact editing environment of one synthesizer. All this in an unprecedented sound quality for all three synthesis types, thanks to the aliasing-free sound engine. Each of the three synthesis types offered by D'cota has access to an arsenal of four freely assignable ADSR envelopes and two assignable LFOs. The LFOs can also be synchronized to the song tempo. The effect section adds the simultaneous power of delays, distortion units and modulation effects.
Features:
* 3 different synthesis: Advanced Analog, Spectrum and Wave Impulse
* Superb sound quality (aliasing free oscillators)
* Advanced Random Mode
* 8 times multi timbral with up to 128 voices, 4 stereo outputs
* Multi FX unit with Distortion, Modulation and Delay section
* Ready to start sound preset included
Size file: 109.67 MB
De La Mancha Thr33some VST 1.0
Thr33some is a multi-band stereo tool, to allow you to widen or narrow specific frequencies in your mix. Typical use would be to make bass sounds mono whilst progressively spreading higher frequencies, but abuse and experimentation will yield some interesting effects too. Thr33some has 2 methods of stereo spread and with gain and pan per band you have total control over all 3 bands. You can also make each band full spectrum to get 3 full layers and control in and out gain with metering to keep levels under control. There is also a multi-out version for individual processing of each band in your DAW.
Features:
· 3 band stereo widener/narrower
· Split bands into 3 frequency ranges, or choose 3 full spectrum layers
· Zero phasing band splits using inversion rather than crossover
· Mid/Side processing per band
· Delay based width control per band
· Stereo balance and gain per band
· Stereo out and multi-out (3x stereo) versions
· In and out gain controls
· Metering for in and out levels to allow balancing
· All control parameters named and mapped to midi CC
· Presets covering all functions and many configurations
Electronisounds The Shark VSTi 1.0
The Shark is a 4-oscillator sample-based synth. The Shark comes loaded with 64 presets from Junebug. These presets are based on an *all-new, *all-exclusive"* one-shot sample set of 50 sounds. To give you a good idea of the type of sounds you'll find inside THE SHARK, here's the list of the FIFTY raw .wav samples: 303-like, bass wobble, blast sweeper, chemical lead 01, chemical lead 02, chemical lead 03, chemical lead 04, chemical lead 05, funky lead, ghost hit, hoover, long bass 01, long bass 02, man vs. machine - stab, organ 01, organ 02, organ 03, pad 01, pad 02, pad 03, plucked 01, plucked 02, plucked 03, plucked 04, raver 01, raver 02, raver 03, raver 04, raver 05, raver 06, raver 07, raver 08, raver 09, raver 10, real strat 01, real strat 02, real strat 03, rhodes 01, short bass 01, short bass 02, short bass 03, short bass 04, short bass 05, short bass 06, short bass 07, strings 01, string stab, strong synth, tek bass, temple.
Features:
* 4-OSC Virtual Synth.
* 50 "exclusive" one-shot samples and 64 presets.
* Osc 1 has a unison mode with PWM, cents and fine tuning.
* Osc 2 & 3 feature PWM, cents and Fine Tuning (sine, saw, ramp, triangle, pulse, white noise, pink noise).
* Osc 4 is a .wav format one-shot sample loader.
* LP Filter.
* LFO to PWM.
* LFO to Filter.
* LFO to Pitch.
* LFOs Sync to BPM (1/16, 1/12, 1/8, 1/4, 1/2, 1/1, 2/1, 1bar, 2bar, 4bar) (sine, triangle, saw, ramp, square, noise, sample/hold).
* "Boost-Style" EQ (Hi, Mid, Low).
* 2 ADSR Envelopes - Amplitude & Filter.
* Mono Mode with Re-Trigger option.
* Velocity Sensitivity with Gain control.
* Portamento.
* Pitch-Bend Wheel with Range Control.
Cycling 74 MAXMSP 5.0.7
Max users are people who want to do things that go beyond the limitations of normal software. Max is a visual programming language. MSP gives you the building blocks of a synthesis and DSP language in visual form. But more importantly, MSP permits synthesis and DSP to be controlled in expressive and powerful ways. The fact is, there are only so many ways to make sound, but there an unlimited variety of ways to control sound, due the way MSP's audio objects work together with Max's timing, control, and user interface tools.
FabFilter One 3.10 AU VSTi RTAS MAC OSX UB
For FabFilter One, we have put tremendous effort in creating the best cut-off filter ever. Our new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.
The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.
The oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down.
Modulation wave balance
What FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn't just slide from one note to another, but uses a carefully selected algorithm to make your playing more lively and give it just that little extra bit of magic.
Smart Parameter Interpolation handles changes to any of FabFilter One's parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.
Naturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.
Размер файла: 6.94 MB
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FabFilter Pro-C 1.12 AU VST RTAS MAC OSX UB
FabFilter Pro-C is a high quality compressor plug-in with various beautiful program dependent compression styles. Professionals will be delighted with the high quality sound, while the innovative interface makes compression easy to grasp for everyone. Apart from its beautiful sound and character, you also get very flexible routing. In Expert mode, external side chain input is available and you can choose between mono, stereo, or mid/side processing with completely customizable channel linking and routing. In addition to regular input, output and gain change meters, Pro-C offers a knee display and an animated compression display, which gives you a great insight in when, why, and how compression is applied to the audio signal. Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!.
Размер файла: 7.48 MB
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Kong Audio Chineekong VSTi 2.9 (синтезатор китайский народных инструментов)
Виртуальные инструменты серии Chinee являются плагинами формата VSTi с семплами китайский народных инструментов. Кроме отдельных нот есть также различные исполнительские приемы (тремоло, слайды, трели и др.).
Семплы имеют разрядность 24 бита и частоту дискретизации 96 кГц.
ChineeKong V2+ is a sample-based Chinese percussion VSTi that comes with over 850 mb of professionally recorded sample content and brings you the most authentic percussion sound originated from various parts of China. A sound that most of the Western world haven't heard of before, until now. ChineeKong V2+ has six main categories: Luo(Gongs), NaoBo(Cymbals), GuZu(Drum sets), BanBang(Wood Percussion), ZhongLing(Bells), and QiTa(MISC), divided into a total number of 50 subsets. These instruments are being used widely in today's Chinese pop music and film scores.
Unusual Source for Unusual Ideas. Modern musicians have always been searching for the next NEW sound to spice up the next big hit. Tired of the samey. usual beat everyone is making? Kong Audio's ChineeKong V2+ IS the answer to the quest.
With the rare and exotic acoustic percussion samples, ChineeKong V2+ can add an atmospheric touch to film score compositions, yet still fits well in the pop music when necessary. ChineeKong V2+ also provides inspiring, refreshing materials for modern offbeat experimental musicians. It's a percussion fest. It's a wild dream come true.
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FabFilter Simplon 1.10 AU VST RTAS MAC OSX UB
Especially suitable for live performance, FabFilter Simplon is a simplified version of FabFilter Volcano with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode. Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or ‘digital’, even at full resonance. Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!.
In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.
Tweak the filters with Simplon's large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.
And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.
Meldaproduction Mdrummer 2 Large Standalone VSTi 2.16
MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be … can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
Image Line Slicex 1.0.6 VSTi Standalone
Image-Line has released VSTi versions of sample slicing tool Slicex. Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.
Features:
* Loading & slicing samples – Slicex can load and slice two independent samples/loops into decks A and B (accessed from the Wave Editor).
* Editing samples – Slicex includes a Wave Editor with all the power of Edison, so you can edit, mangle, process and tweak slices to perfection.
* Express yourself – Programmed variations are the key to expressive control and Slicex has infinite variation as a design principle. Any number of regions, within and between decks, can be layered/crossfaded using the settings on the Master Panel. Region slices may be assigned to any or all keys. All the while, these samples and layers are under the control of the articulator section that includes filters, envelopes, LFOs and more.
* Think outside the loop – Yes, Slicex is the perfect loop/beat slicer and percussion powerhouse. Slicex will process any source audio with ease – why not try it on melodic parts, vocals, guitar tracks or whole songs! The creative and sonic possibilities are endless.
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Meldaproduction Mtotalbundle VST 2.02
MeldaProduction MTotalBundle is the ultimate bundle of effects, that will convert your computer into a top-class professional sound studio. It contains all of our effects covering all required tasks, composing, mixing and mastering. Free for life updates pay here too, so once you you purchase it, any effect we release will be free for you! And it takes just a few clicks using our update system... The bundle contains traditional plug-ins as well as our revolutionary technologies, which give you the power to make your recordings sound incredible even if you didn't spend last 50 years as an audio engineer. High speed, simplicity, crystal clear sound and minimal noise level is standard in MeldaProduction.
Changes From v2.01 :
* MMultiBandDelay - Added global dry controller, added tap gain feature, feedback extended to 0dB...
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Native Instruments Guitar Rig Pro VST RTAS 4.0.7
GUITAR RIG 4 PRO is the ultimate all-in-one guitar and bass solution for perfect custom tone. The powerful and intuitive software comprises of a vast array of amps, cabinets, mics and effects, recreated in stunning detail. The latest version includes 3 new amps, 4 new super-flexible effects and above all, the revolutionary Control Room for that “big bucks” studio tone. The GUITAR RIG 4 PRO software offers 15 amazing guitar and bass amplifiers, modeled with the exacting precision of NATIVE INSTRUMENTS’ award-winning Dynamic Tube Response Technology®. Including the original multi-channel designs and model-specific tweaking options, these amps not only accurately convey the character, charm and feel of their real-world counterparts, but also offer a huge arsenal of tried-and-true tones for all genres. The included Matched Cabinets module offers a harmonized speaker setup for every single amp. It's easy to use yet super-flexible, providing you with classic sounds in seconds.
This all-new module opens a vast new world of tone with an unparalleled degree of natural sound reproduction and tonal clarity. With just a few fader moves you can create the sound of professional studio recordings that will definitely cut through the mix.
GUITAR RIG 4 PRO features numerous tools to help you achieve your best performance. Tape decks for super-easy recording and playback, a metronome and an integrated tuner all help keep the focus on your creativity. A loop machine allows guitar and bass loops to be created and layered on the fly. With GUITAR RIG 4 PRO, your own personal guitar assistant is on hand every time you plug in.
GUITAR RIG 4 PRO works perfectly as a stand-alone program and within any sequencer. This allows you to "reamp" your sound in a convenient way – record your performance, then tweak and change the tone afterwards in any way you like, as often as you want.
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Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB
Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us. A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Until you listen to it. Then it becomes real.
Features...
General:
* Synthesis method: Subtractive hybrid.
* Each patch contain two 'scenes' which are separate instances of the entire synthesis engine (except effects) that can be used for layering or split patches.
* Category based patch-browser.
Oscillators:
* 3 oscillators/voice.
* 5 versatile oscillator algorithms: Classic, Sinus, Wavetable, S/H Noise and Audio-input.
* The classic oscillator is a morphable pulse/saw/dual-saw oscillator with a sub-oscillator and self-sync.
* Most algorithms (all except sinus and audio-input) offer up to 16-voice unison at the oscillator level.
* Oscillator FM/ring modulation.
* All oscillator algorithms are band-limited yet they still cover the entire audible spectrum.
* Noise generator with variable spectrum.
Filter block:
* Two filter-units (7 different configurations).
* Feedback loop.
* Available filter-algorithms: LP12, LP24, LP24L (ladder filter with 1-4 poles), HP12, HP24, BP, Notch, Comb+, Comb-.
* Waveshaper (5 shapes).
Modulation:
* 12 LFO-units available to each voice (6 are running on each voice and 6 are shared for the scene).
* DAHDSR envelope generators on every LFO-unit.
* 7 deformable LFO-waveforms + 1 drawable/step-sequencer waveform.
* Fast and flexible modulation routing. Almost every continuous parameter can be modulated.
Effects:
* 8 effect units arranged as 2 inserts/scene, 2 sends and 2 master effects.
* 9 algorithms: Delay, Reverb, Chorus, Phaser, EQ, Distortion, Conditioner (EQ, stereo-image control & limiter), Rotary speaker, Frequency shifter.
System Requirements (Mac):
* Requires Mac OS X v.10.3.9 or later.
* Any Intel Mac or a PowerPC Mac with a 1GHz G4/G5 or faster CPU
* 256 MB RAM
* An AU or VST2.4-compatible Host application
Version 1.5.3 notes:
- OSX AU: fixed bug that prevented surge from passing the AUVAL tool in snow leopard. As a result, it wouldn't load in Logic.
- OSX VST: fixed crash caused by snow leopard no longer allowed setting the SSE control register directly.
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Arturia Prophet V 1.2.1 VSTi RTAS Standalone
Prophet V is a hybrid of two synthesizers that changed the face of music during the '70s and '80s - the warmth of the Prophet 5, one of the first programmable polyphonic analog synths, meets the digital textures of the Prophet VS in this new plug-in. The Prophet V allows you to mix digital sounds with analog. Play the Prophet 5 and the Prophet VS either simultaneously or separate. Deepen and round the sounds designing a sound palette unique to your style of creation, or stick with the sounds you have come to know and love.
Features:
* Compatibility with the Presets of the original synthesizers.
* No aliasing from 0.1Hz to 16kHz.
* Calculated precision: 64 bits.
* Sample Frequency: until 96 kHz.
* More than 400 presets.
* 2 analog oscillators for the Prophet 5.
* 4 wavetables oscillators for the Prophet VS.
* Capacity to synchronize Osc2 on Osc1 for the Prophet VS.
* 1 Mixer with joystick and automation envelope for mixing the 4 oscillators of the Prophet VS.
* 1 resonating low pass filter for the Prophet 5.
* 1 multi-mode resonant filter for the Prophet 5.
* 3 LFOs that can be synchronized with the tempo of the host sequencer.
* 5 envelopes: 2 ADSR; 3 5 point envelopes.
* 1 Modulation matrix.
* 1 Audio Matrix.
* 1 Chorus.
* 1 Stereo Delay with MIDI synchronization.
* Polyphony of 2 to 32 voices with the unison possibility.
* Audio quality and purity as in the original Prophet 5 and VS.
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M-Audio Drum and Bass Rig Key Rig v1.0.0 VSTi And Standalone ISO
M-Audio's Drum & Bass Rig delivers a wide variety of bass and drum sounds in a single virtual rack. Drum & Bass Rig incorporates four great sounding modules that can be used in stand-alone or plug-in mode. The RD-5 Real Drums module serves up tons of sampled drum kits and percussion. The EB-6 Electric Bass delivers authentic bass fingering, picking, slapping and more. The LC-7 Loop Creator allows easy and flexible creation and playback of sampled loops. And the BL-8 Bassline is ideal for creating electronic music bass lines. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.
Beat It
The RD-5 Real Drums module features a comprehensive library of drum kits and individual drums in all styles, with control over tuning, tone, decay, panorama and level. Each kit also has adjustable overheads, room ambience and effects. All kits are GM-compatible and contain an additional standard percussion set.
Put Your Finger On Great Bass
The EB-6 Electric Bass module produces the sounds of authentically played electric bass guitars. This extensive collection includes a large selection of finger, pick, slap and fretless sounds featuring slides, dead notes and harmonics. The EB-6 also includes a built-in bass amp emulation with drive and tone controls, as well as an effects section for creative options. This electric bass collection is even topped off by a virtual analog synth bass model.
Get Loopy
The LC-7 Loop Creator is one of the most efficient and creative tools available for working with loops. Its pool of 250 source loops can be freely combined and flexibly manipulated by options such as slice-reordering, slice muting or group muting of ranges of slices. The LC-7 Loop Creator is designed for people who want their own loops but find it hard to create them from scratch. It also offers a vast range of real-time controls for dynamic playing/arranging.
Keep 'Em Steppin'
The BL-8 Bassline module is a monophonic bass synthesizer combined with a powerful arpeggiator/step sequencer. Synth controls are straightforward and immediately accessible. An onscreen keyboard provides a familiar step-entry interface pioneered on vintage gear in this genre.
Key Rig from M-Audio covers all the basic needs for today's keyboardist in a single virtual rack. Key Rig delivers four great sounding modules that can be used in stand-alone or plug-in mode. The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. The MB-3 Electromagnetic Organ emulates the classic Hammond sound complete with rotary speaker. And the GM-4 General MIDI Module is great for sequencing the rest of your backing tracks. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.
It's All There In Black and White
The SP-1 Stage Piano module serves up grand pianos, Wurlitzer, classic electric pianos, FM, clavinet and more. Each preset can hold a combination of two instruments with individual settings for Mix, Octave, Detune, Velocity and Tone. Owing to a dual effects section, each preset also has its own effect settings including delay, chorus, phaser and more.
Brave New Synth
The MS-2 Polyphonic Synthesizer delivers a new, easy way to call up and edit great synth sounds. Each preset consists of sub-presets for each major section: filter, amp, mod and FX. Creating new sounds is as simple as combining these sub-presets in different ways and tweaking any associated parameters from there as desired.
Get Organized
The MB-3 Electromagnetic Organ authentically emulates the classic Hammond sound complete with rotary speaker. Standard features include nine drawbars that are pre-mapped to M-Audio brand USB MIDI controllers, percussion and variable key click, three chorus and three vibrato settings. Rotary speaker emulation includes tube overdrive, speed and tone controls to yield everything from glassy jazz chords to smoking rock leads.
Bring In The Band
The GM-4 General MIDI Module delivers 128 GM instruments plus a great GM drum kit. It instantly plays GM-compatible standard MIDI files from host applications and provides an extremely easy way of sequencing additional backing tracks.
Multiple Effects
These virtual instrument modules each feature their own dual effects processors for delay, chorus, phaser and more. There’s also a master effects section that further processes the combined output of all modules.
Flexible Mixing and Assignment
You get an internal mixer and assignment controls that allow you configure independent MIDI channels for each module. But that’s not all… you can easily create splits and layers for things like left-hand bass with right-hand drums and other performance configurations.
Use It Your Way
M-Audio's virtual racks let you use them as stand-alone instruments or with most host sequencers. Lots of people, for example, are just taking their keyboard and laptop to live performances. Compatibility with VST and RTAS also means that you can use it as sound sources for your tracks in Pro Tools, Logic, Cubase, Ableton Live, and, well, pretty much any popular music software.
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Sonic at Work ACCENTUS VSTi 1.0
The ACCENTUS is a virtual analog synthesizer with 2 oscillators and a suboszillator. Its interesting waveforms and its flexible filter section, is getting a lot of punch and assertive sounds. The operation the synth is playful slightly by its clearly structured user interface. All major synthesizer parameters are located on the first Edit Page. Of course, effects may not be missing, the ACCENTUS has four of them on board. Even a powerful arpeggiator and a gater are built in. All after all an incredibly powerful and flexible synthesizer.
Features:
+ 2 mainoscillators with 11 waveforms each: Sine, Saw, Ramp, SoftRamp, PeakRamp, Square, Triangle, Peak, Octava, Cluster1, Cluster2
+ oscillator 2 can be synced to oscillator 1
+ Unison for both mainoscillators separatly (up to 7 voices) incl. unison detune and detune stretch
+ suboscillator with pulse und saw wafeforms
+ noise generator with white noise and pink noise
+ Amp ADSR envelope
+ 2 multimodefilters
+ 2 filter envelopes with positiv and negativ charakteristic
+ glide (portamento)
+ monomode
+ velocity
+ arpeggiator
+ audio gater
+ 2 MIDI syncable LFOs
+ 2 modulations
+ chorus FX
+ reverb FX
+ MIDI syncable delay FX
+ overdrive FX
+ more than 300 presets
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Sonic at work VRS-4040 VSTi PI Edition
Sonic at work VRS-4040 VSTi PI Edition (Plugindex Premium Edition). The VRS-4040-PI is a virtual "Rompler" PCM with 4 slots (PCM oscillators) equipped with 17 waveforms. By mixing (layers) of these waveforms, and the setting of the volume combined together with the VRS 4040PI the simplest way Sound Design operated. However, if you prefer to produce sounds mhte work has included the 28 presets to kgreifen. To further shaping sound, there are more synthesis tools such as a separate ADSR curve per PCM slot, a global 24dB multimode filter,a MIDI Synced LFO, Glide (portamento), Single mode, Velocity,a MIDI synced Delay effect and a reverb. The VRS is a versatile 4040PI to use sound module.
STS-24 PI Edition Key Features:
• 4 PCM slots (PCM OSCs)
• Own-amp ADSR H ? lkurve f ? every 4 PCM slots
• Kenvolume and Fine-Tune knob f ? every 4 PCM slots
• Notenweise octaves and resentment of each PCM slots
• Global, zuschaltbares 24dB multimode filter with
• low-pass,
• high-pass,
• band pass,
• Band reject
• Filter ADSR H ? lkurve
• Glide (portamento)
• Single mode
• Velocity (defeatable)
• MIDI synced LFO
• MIDI synced Delay Effect
• Reverb effect
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Arturia Cs 80v2 VSTi v2.0
The CS-80V is the reproduction of the legendary Yamaha® CS-80, which was considered by many as the "ultimate polyphonic synthesizer", back in the late 70’s. It has been popularized by artists and groups like Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel… to name a few, and they all helped to turn this synthesizer into a real myth. More than twenty five years after its release, the time has come to rediscover a sound that has extensively contributed to the history of music.
2.0 FEATURES:
* Switch to Syncrosoft copy protection ( V 2.0 )
* VCF audio quality improvements ( V 2.0 )
* Ring modulator audio quality improvements ( V 2.0 )
* A revolutionary preset navigation system called the SoundMap ( V 2.0 )
* Lower CPU utilization on Mac OSX( V 2.0 )
* Better Audio Unit compatibility (Digital Performer most notably) ( V 2.0 )
* Ability to use NRPN midi messages for automation ( V 2.0 )
* Better handling of control surfaces while changing preset ( V 2.0 )
* New presets added ( V 2.0 )
* Midi RPN "pitch bend range" message is now recognized( V 2.0 )
* Bug fixes
MAIN FEATURES:
* All the original parameters of the Yamaha CS-80: 2 oscillators, 4 filters (high pass, low pass), 2 LFOs, 4 envelopes, 2 VCAs, 1 sub-oscillator (LFO), 1 ring modulator, chorus and tremolo
* New effect: Delay
* New Multi Mode: assign a different sound to each of the 8 voices of polyphony!
* New Modulation Matrix with 12 sources to modulate a choice of 38 destination parameters
* More than 400 presets made by a selection of the most famous sound designers
* Polyphonic aftertouch
* 1 Arpeggiator
* Expression and sustain pedals
* Ribbon controller
* No aliasing from 0.1 Hz to 16 kHz
* 64-bit floating point precision
* Sampling rate: up to 96 kHz
Benefit from the experience of the best sound designers. The CS-80V comes loaded with more than 400 presets made by a selection of talented sound designers.
* We included additional presets in this release
* Factory Preset works fine at our test
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Meldaproduction MDrummer 2 Large Standalone VSTi 2.17
MDrummer is a highly sophisticated percussion workstation which combines features of all of current products on the market into one single instrument. MDrummer is so splendid that we could talk about it for hours, but maybe it would be … can play acoustic jazz swing with brushes, bossa nova, pop, r'n'b, hip-hop, drum'n'bass... If you can imagine it, MDrummer can play it.
Changes From v2.16
* Stylable and resizable GUI engine.
* Switched to keyfile licensing.
* Kernel optimizations.
* Fix: Rhythm system wasn't working properly, when commands were slightly out of first quarter.
* Fix: Rewind didn't cause MDrummer to stop.
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Wahnsyn Ginger B VSTi 1.2
B. Ginger is our first full dynamic Drumsampler. Fitted it with 13 different drum, from hip hop to soul. Drumset 6 is multi-sampled. This means in practice that a harder beaten snare not only louder, but sounds really harder. This can be especially for emotional music with excellent results. For jazz and blues musicians is almost indispensable. Phase rotation (listener / player), Chorus, and 3-band EQ in the master area are available.
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Waldorf Waldorf Edition VSTi 1.2.4
Waldorf Edition VSTi v1.2.4 include; Waldorf Attack Percussion Synthesizer VSTi, PPG Wave 2.V Classic Wavetable Synthesizer VSTi, D-Pole Filter VST.
Waldorf Attack Percussion Synthesizer
ATTACK is a true percussion synthesizer for the VST PC platform. It seamlessly integrates the sound of the 80's analog classics and the ambitious electronic club drums of the 90's into the VST system of the 21st century. ATTACK generates all its sounds in real time, giving you the freedom to alter all parameters directly.
ATTACK has 24 sounds available per percussion set, spread over two octaves. The sound architecture is extremely flexible, as one would expect from a Waldorf synthesizer. Two oscillators, each with nine waveforms, represent the sources. In addition to well-known analog waveforms, ATTACK offers three samples to help create hi-hats or crash cymbals. Ring modulation and frequency modulation expand the sound spectrum with a metallic component and FX sounds. The integrated "Crack" module takes care of reproducing analog handclaps authentically. ATTACK contains a filter section with 6 filter types, resonance up to self-oscillation, and an overdrive of up to +52dB. The two envelopes are used to alter oscillator pitches, FM amount, filter cutoff, and the output volume. Two modulation delays and eight outputs (2 stereo, 4 mono) connect ATTACK to the VST world. Seamless integration into the VST 2.0 interface means that all parameters may be addressed via MIDI controllers, allowing you to create powerful dynamic changes.
And as though this were not enough - twelve sounds in each drum set can be played melodically. With this feature you can create tom fills and conga or other percussive grooves in no time, and you can even play bass, melody or sequencer lines.
Features:
- Virtual analog sound synthesis
- 31 sounds kits with over 700 sounds included
- 16 percussion sets per FX Bank
- 24 percussion sounds per set
- Per sound (editable):
- 2 oscillators, each with 9 waveforms (triangle, sine, square, sawtooth, sample&hold, noise, samples: closed hi-hat, open hi-hat,crash)
- FM
- Ring Modulation'Crack'-module for authentic analog hand claps
- 6 filter types with resonance up to self-oscillation and overdrive
- 2 envelopes for pitch, FM amount, filter cutoff and loudness
- all parameters addressable via MIDI controllers
- 8 audio outputs (2 stereo, 4 mono)
- Two integrated and synchronizable modulation Delays for the stereo outs
- Polyphonically playable percussive bass and lead sounds
PPG Wave 2.V Classic Wavetable Synthesizer for VST
The Wave 2 series was the first digital wavetable synthesizer with analog filters, heralding a revolution in both sound and concept. The Wave's most interesting feature was its ability to sweep through 64 waveforms in what PPG called a wavetable.
Almost 2000 waveforms were available within the Wave's 32 internal wavetables. The result of this wavetable technology is that the PPG instrument has a much broader palette and more animated sound than typical analog synthesizers of the early 80's, which tended to have only a few static waveforms such as sawtooth, pulse, or triangle. The PPG sound was very unique and identifiable.
Now we bring this exclusive sound back to life with all the advantages a completely integrated software production environment such as Cubase VST has to offer: The outputs appear directly in the VST mixer, so effects and EQ can be applied like any other audio channel. MIDI tracks are routed directly to the input of the PPG Wave 2.V without involving the vagaries of MIDI cables and interfaces.
The polyphony now depends solely on the CPU power of your computer and opening up to 8 PPG Wave 2.Vs, each with 8 times multitimbral capability, gives you more than enough space for your sound imagination. A new graphical page offers easy editing of envelopes, generators and Cutoff/Emphasis.
The combination of modern software technology plus the charm and massive sound potential of the "old" digital days results in a unique instrument which brings back individuality and pure fun: The PPG Wave 2.V.
Features:
- 8 times multitimbral
- 32 wavetables with 64 different waveforms each
- 2 oscillators per voice
- low-pass filter with Emphasis
- 1 LFO
- 3 envelopes (2 ADSR, 1 AD)
- Velocity and Aftertouch sensitivity
- Graphical interface for envelope generators and Cutoff/Emphasis
- Number of voices depending solely on CPU power
- Real-time MIDI control and automation of all parameters
- Up to 8 units can work at the same time (depending on CPU power)
- Complete unit and all settings can be saved with the song (Cubase VST)
- Sound rendering (Cubase VST)
D-Pole Filter Plug-In for VST
With the Microwave II, Waldorf entered the fully digital sound domain for the first time, and made the impossible possible: A digital filter with exactly the same behavior as its analog counterpart, but even more flexible.
The D-POLE is a musically versatile Filter Plug-In which offers the same experimental capabilities as the hardware equivalent. Now nothing prevents you from filtering your voice with no less than 5 filter types. Morph a simple acoustic drum loop into a biting groovy dance rhythm using the LFO (whose speed is also adjustable in BPM). Add Overdrive to your lead guitar. Get the vintage ring-modulated sound for really wild experiments and send it through the stereo delay...
Create completely new audio material for sound FX purposes within seconds due to the real-time facility of VST. All important parameters can be fully automated and settings can be easily saved as single programs or banks. You don't have to stop your work to be creative, because creativity might not wait for you!
Features:
- Filter Module
- Frequency 0Hz up to over 17000Hz
- Resonance up to self-oscillation
- 5 Filter types:
- Low Pass
- Band Pass
- High Pass
- Notch
- Resonator
- 12dB / 24dB Slope selectable
- Amplifier Module
- Overdrive up to 52dB
- Volume
- Panning
- Delay Mix
- LFO Module
- LFO Speed up to over 7000Hz, syncable to tempo and audio
- 3 LFO Shapes:
- sinus
- triangle
- saw
- Positive or negative modulation of Filter Cutoff, Panning and Oscillator Pitch
- Envelope Follower Module
- Adjustable Decay Rate
- Positive or negative modulation of Filter Cutoff
- Delay Module
- Delay Time up to 2000ms, syncable to tempo
- Feedback up to 100%
- Damping
- Oscillator Module
- Ring Modulation
- Frequency up to over 7000Hz
- Shapes:
- Sine
- Triangle
- Saw
Changes for Attack 1.2.4
- Fixed problem with Effect 2 routed incorrectly to Output 1 instead of Output 2.
Changes for PPG Wave 2.V 1.2.4
- The Factory Soundbanks are now included in the new sound bank format. This fixes the problem of loading old Sounds or Banks in Ableton Live.
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Myosis Myosisfooger Oscbox VST
MF OscBox The MF OscBox is an audio controlled oscillator. With this plugin , you can turn your guitar or any other monophonic instrument into a synthesizer.
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OscillaSoft Plugins Pack II VSTi 1.0
OscillaSofts fast, light VST's. A collection of synthesizers designed for quality notes using minimal computer power. Includes SB304 and Organizer VST plugins plus 3 others.
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PSP Audioware Old Timer x32 x64 RTAS VST 1.1.2
PSP oldTimer is a vintage-style compressor designed for track and program compression and limiting. Our goal in developing this plug-in is to provide a simple compressor that offers an exceptionally musical sound while requiring a minimum of tweaking. This plug-in is not based on any specific hardware, rather it is inspired by vintage circuits and is designed to emulate some favorite characteristics of such compressors. PSP oldTimer is so simple and so easy to use, that it's difficult to make it sound bad even at extreme settings!. This compressor offers soft and smooth compression in most applications, however it may slightly color the sound with its tube emulation on transients when heavily driven internally by high Compression values.
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Renoise Mod Tracker v 2.0
Renoise is a complete music production environment.
Automatic plug-in delay compensation, support for VST and AU plugins, multi-core load balancing, MIDI i/o, audio recording, 4096 PPQ resolution and parameter automation in a rock solid package. Renoise is a mod tracker. The machine-code-like appearance of the main editing screen is its strong point. In the hands of a tracker guru, it will give traditional sequencers a run for their money. Why spend hours cobbling beats together with a mouse when you can do it in seconds with a few keystrokes? Whether you are an audio veteran or just starting out, Renoise is the perfect complement for anyone looking for something new.
We decided Renoise 2.0 would be the best time to incorporate fundamental changes. Some aspects have changed so revolutionary that it completely revitalizes the way you make music in Renoise. Moreover, this massive engine overhaul is essential for behemoth features in later releases, such as Zooming, the Arranger, Audio Tracks and a Piano Roll. Check website for more information.
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Sherman Filterbank 2 VST version
Sherman is under Copyright of Sherman, VST is under copyright of Steinberg Gmbh. This vst was made with Synthedit, using extra modules by Dave Haupt and KDL.
Currently used MIDI controller numbers...
LFO: Depth CC# 26
LFO: Speed CC# 53
Freq1 CC# 31
Freq2 CC# 15
Harmonics CC# 33 (Mod Wheel)
ParSer CC# 14
BypEff CC# 25
Reso1 CC# 24
Shape1 CC# 26
-B -B+LH 1 CC# 29
Reso2 CC# 41
Shape2 CC# 52
-B -B+LH 2 CC# 27
AM CC# 116
FM CC# 117
CC# 118
to R out CC# 119
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Sknote Q796 VST 1.0.6
Analog Series Q796 Emulation from classic hardware is mounted on a digital frame for enhanced control. Q796 is built starting from an emulation of a classic mastering device.
Includes three modules for stereo mastering and mixing:
- expander and pump-up compressor
- compressor with enhanced functions and negative ratio
- limiter
Note: Look-ahead function (up to 10ms) has been added to the analog emulation. Delay compensation is reported to host each time the switch is toggled. Verify the update in your host.
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Stillwell Audio CMX VST 1.0
Schwa has released a new plug-in: CMX Stereo Microshifter, along with Windows x64 installers for Olga, Tin Man, Schope and Bitter. CMXCMX - Stereo Microshifter thickens and enhances monophonic audio by doubling the signal and applying small amounts of pitch shift and/or time delay to each side. This technique is often applied to vocals or lead lines. With a light hand, CMX can add just enough fullness to give a part extra presence in a mix. With a heavier hand, CMX can create a rich and polished "expensive production" sound. The added presence is especially effective in musical styles that make minimal use of reverb. CMX uses a new, unique pitch identification and shifting algorithm from Schwa that is designed and optimized for small, precise pitch shifts, from one cent to a quarter-tone, with perfect phase coherence and maximum smoothness. You can use CMX on exposed, high-quality vocal tracks with complete confidence.
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Universal Piper Universal Piper Standalone VSTi 1.01
A virtual instrument... with a true sound of bagpipe universal Reason? because it permits multiple regulating, because it turns on a PC, and because it will embark other sounds of bagpipe in future versions.
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Native Instruments KORE Line The Finger PC MAC
THE FINGER provides more than 40 effects including real-time samplers/transformers (e.g. loop, re-arrange, reverse, scratch, heavy granular effects etc.), as well as filters, gaters, delays, reverbs, distortion, wave shapers, ring modulation and many others. Each effect has two parameters controlled by velocity or mod wheel, and is tempo-synced to a master clock or the tempo of your audio host. The KORE PLAYER user interface allows for even further tweaking via the Macro Controls.
The main advantage of THE FINGER is the ability to trigger effects via MIDI keyboard (or the "piano roll" in a sequencer). Four octaves of MIDI notes have a specific effect per sound with their own settings assigned to each. The order you trigger the notes is the order the effects get layered in, so chains can be arranged and re-arranged in no time. Make the last key a loop effect, and you can continue the chain from there, endlessly.
This allows you to "play" and improvise with effects just like with a "real" instrument. When used within a host sequencer as an effects plug-in, you can record your playing as MIDI in the piano roll editor allowing to edit your effect chains in a much simpler way.
The potential for creative audio mayhem is pretty much inexhaustible, and it has never been more fun - that is the power of THE FINGER.
Besides the possibility to use THE FINGER out of the box (with the free KORE PLAYER or KORE 2), it can also be loaded into REAKTOR 5, where an individual user interface is available allowing you to setup custom effects to any MIDI note.
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